The glitz and glamor of the Okay-pop business might be tantalizing. Nonetheless, hiding behind the highlight might be unattractive.
A latest revelation from a former trainee hints that “cash makes music” in Okay-Pop.
The unstated hierarchy of expertise choice

(Image: Nate)
‘Golden Spoon’ Privilege: Cash Determines Okay-Pop Debuts, Leaves Untalented Trainees Behind
A sought-after influencer and former SM and YG Leisure trainee, Bianca Zhou revealed a lesser-known aspect of the business.
With practically 30,000 followers, Zhou supplies perception into the lives of Okay-pop trainees.
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She claims that a few of the hardest working and most gifted trainees are prevented from debuting as a result of monetary constraints.
Zhou provides that this grim actuality just isn’t restricted to small companies in dire want of funding.
The ‘Massive 4’ of Okay-pop, similar to SM, YG, JYP, and HYBE, aren’t free from this pattern. “Folks with sufficient sponsorship cash get these positions,” explains Zhou. “It is commonplace.”
“Golden Spoon” Choice

(Image: Nate)
‘Golden Spoon’ Privilege: Cash Determines Okay-Pop Debuts, Leaves Untalented Trainees Behind
Based on Zhou, the enchantment of “trainee-family funding” applies even to rich companies. That is primarily as a result of big sum of money required for idea growth, styling and filming abilities important for a Okay-pop group.
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“In some instances, rich trainees can take another person’s place no matter relative expertise. Firms can exchange longtime trainees with rich ones just because they will financially help their debut,” Zhou mentioned. I warned you.
Networking: The Invisible Forex

(Image: Nate)
‘Golden Spoon’ Privilege: Cash Determines Okay-Pop Debuts, Leaves Untalented Trainees Behind
In her condemnation of business practices, Zhou emphasizes the significance of connections within the leisure business. If a trainee has connections with influential social circles, the corporate will discover it nearly instantly.
This revelation added one other layer to the previous suspicions of Miya, a Japanese mannequin from the Okay-pop group GWSN.
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In an interview with Japanese media, she in contrast her trainee days to ‘jail’. She additionally lamented the company’s exploitation of youngsters, revealing that her firm is especially strict, with no free time, no cash, no entry to non-public telephones.
Disappointing Okay-Pop Dreamers
With the worldwide Hallyu craze, increasingly aspiring artists are drawn to the Okay-pop business.
Nonetheless, this revelation casts a shadow over these goals and stirs consternation on the forces that crush them.
The sensible world of Okay-pop does not appear to shine very a lot for individuals who do not have a ‘golden spoon’.